Field Notes on Material Degradation is a material study examining the instability of anatomical forms. Through the mordançage process, silver prints of bones are chemically altered, softened, and partially destroyed, revealing surfaces in flux.

Using discarded anatomical images, the series adopts the tone of archival records and clinical observation, engaging with the tension between preservation and decay. Bones, often treated as stable evidence are here presented as mutable, eroded, and visually unsettled.

These works invite viewers to consider the limits of material permanence, the fragility of documentation, and the ways in which objects resist fixed classification.